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Thursday September 4
11.30am THODA PYAAR THODA MAGIC (PG)
2.30pm JAB WE MET (M)
5.30pm JAANE TU YA JAANE NA (PG)
8.30pm OM SHANTI OM (M)

Friday September 5
11.30am JAB WE MET (M)
2.15pm TAARE ZAMEEN PAR (PG)
5.30pm THODA PYAAR THODA MAGIC (PG)
8.15pm JODHAA AKBAR (M)

Saturday September 6
11.30am TAARE ZAMEEN PAR (PG)
2.30pm DHARM (MA15+)
4.30pm JODHAA AKBAR (M)
8.30pm AMI, IYASIN AR
AMAR MADHUBALA (MA15+)

Sunday September 7
12.00pm RATHRI MAZHA (MA15+)
2.15pm KADA BELADINGALU (MA15+)
4.45pm JAB WE MET (M)
7.45pm JAANE TU YA JAANE NA (PG)

Monday September 8
11.30am THODA PYAAR THODA MAGIC (PG)
2.30pm TAARE ZAMEEN PAR (PG)
6.00pm AMI, IYASIN
AR AMAR MADHUBALA (MA15+)
8.30pm KADA BELADINGALU (MA15+)

Tuesday September 9
12.00pm DHARM (MA15+)
2.15pm OM SHANTI OM (M)
5.30pm RATHRI MAZHA (MA15+)
8.00pm TINGYA (MA15+)

Wednesday September 10
11.30am AMI, IYASIN AR
AMAR MADHUBALA (MA15+)
1.45pm TINGYA (MA15+)
4.15pm JAB WE MET (M)
7.45pm TAARE ZAMEEN PAR (PG)

Thursday September 11
11.30am JODHAA AKBAR (M)
3.30pm RATHRI MAZHA (MA15+)
5.45pm DHARM (MA15+)
7.45pm OM SHANTI OM (M)

Friday September 12
12.00pm JAANE TU YA JAANE NA (PG)
3.00pm THODA PYAAR THODA MAGIC (PG)
6.00pm TINGYA (MA15+)
8.30pm PATHER PANCHALI (MA15+)

Saturday September 13
12.00pm KADA BELADINGALU (MA15+)
2.15pm GHARE BAIRE (MA15+)
5.00pm JODHAA AKBAR (M)
9.00pm APUR SANSAR (MA15+)

Sunday 14 September
12.00pm AMI, IYASIN AR AMAR MADHUBALA (R18+)
2.15pm JALSAGAR (MA15+)
4.15pm TAARE ZAMEEN PAR (PG)
8.00pm DEVI (MA15+)

Monday 15 September
12.00pm DHARM (MA15+)
2.00pm PATHER PANCHALI (MA15+)
4.30pm THODA PYAAR THODA MAGIC (PG)
8.00pm GHARE BAIRE (MA15+)

Tuesday 16 September
11.30am OM SHANTI OM (M)
2.45pm APUR SANSAR (MA15+)
5.15pm JAB WE MET (M)
8.15pm JALSAGAR (MA15+)

Wednesday 17 September
11.30am JODHAA AKBAR (M)
3.30pm DEVI (MA15+)
5.15pm JAANE TU YA JAANE NA (PG)
8.30pm APUR SANSAR (MA15+)

Bollywood titles

THODA PYAAR THODA MAGIC (PG)
141 minutes
Director: Kunal Kohli
'Thoda Pyaar Thoda Magic' is about people like you and me who wish for a little bit of magic in our lives, and don't realise the angels who bring it to us are right amongst us. Thoda Pyaar Thoda Magic is simply about all we need in our lives ..... Thoda Pyaar Thoda Magic’. (A little love, a little magic)

TAARE ZAMEEN PAR (PG)
161 minutes
Director: Aamir Khan
Ishaan Awasthi is an eight-year-old whose world is filled with wonders that are just not important in the world of adults. When he gets into far more trouble than his parents can handle, he is packed off to a boarding school to ‘be disciplined’. A new art teacher bursts onto the scene, Ram Shankar Nikumbh (Aamir Khan), who breaks all the rules of ‘how things are done’ by asking the students to think, dream and imagine. With time, patience and care, Nikumbh ultimately helps Ishaan find himself.

OM SHANTI OM (M)
168 minutes
Director: Farah Khan
This is a story of 'Om' and 'Shanti'. His film started in 1977 and ended in 2007. He was a junior artist in the 70's. She was a superstar of the 70's. He was her biggest fan. She was his biggest inspiration. He was madly in love. She was ready to give up everything she had for love. He felt betrayed in life. She felt betrayed in love. For some love stories one lifetime is not enough...

JODHAA AKBAR (M)
214 minutes
Director: Ashutosh Gowariker
Jodhaa Akbar is a sixteenth century love story about a marriage of alliance that gave birth to true love between a great Mughal Emperor, Akbar (Hrithik Roshan) and a Rajput princess, Jodhaa (Aishwarya Rai).

Through a shrewed blend of tolerence, generosity and force, Akbar won the allegiance of the Rajputs, the most belligerent Hindus. But little did Akbar know that when he married Jodhaa, a fiery Rajput princess, in order to further strengthen his relations with the Rajputs, he would in turn be embarking upon a new journey - the journey of true love. Jodhaa Akbar is their untold love story.

JAB WE MET (M)
143 minutes
Director: Imtiaz Ali
Aditya (Shahid Kapoor), a defeated industrialist, is even more broken as the girl he loves is getting married. Disappointed, he aimlessly boards a train where he meets Geet (Kareena Kapoor) - a beautiful but annoyingly talkative girl who is leaving Mumbai to go her hometown from where she has plans of eloping with her boyfriend who lives in Manali. Aditya decides to help her reach Manali. But by Manali, they begin to realize that they are actually destined to be together.

JAANE TU YA JAANE NA (PG)
154 minutes
Director: Abbas Tyrewala
The story begins at the airport. With a story.
When Rotlu, Jiggy, Bombs and Shaleen offer to tell Mala the tale of Jai and Aditi - a match made in the pastry shop of heaven - Mala is convinced that she is in for yet another clichéd love story with joys and sorrows, happiness and heartbreak, laughter and songs, fights… and a climax at the airport. And indeed, Jaane Tu… Ya Jaane Na is all of that. And more! The coolest, warmest, hippest, funniest musical-romantic-comedy of the decade.

Films of Regional India

TINGYA (MA15+)
122 minutes
Director: Mangesh Hadawale
Tingya is a moving story of a six year old farmer’s son and his love for his lame bull who’s been sent to the slaughter house. Set during the most turbulent and tough times of Indian farmers, the film evokes a lot of appreciation.

RATHRI MAZHA (MA15+)
110 minutes
Two youngsters, Harikrishnan (Vineeth) and Meera (Meera Jasmine) come to know each other through a matrimonial advertisement on a website. Though they have not met, love blossoms. When they eventually meet however, the dreams are shattered. But their minds have been so bonded together, they decide to marry and make the best of it. It is now society that looks askance at the relationship.

KADA BELADINGALU (MA15+) 113 minutes
Director: B. S. Lingadevaru
Kaada Beladingalu presents a larger picture of total degradation of the country's rural space which is turning into a sanctuary for old people. It looks as if only older people live in villages and their manifold problems are not attended to with concern. Kaada Beladingalu reveals this inherent message through the sojourn of a young female journalist Sudheshne. In the process of one of her investigations, the young girl is startled to find about the process of degeneration in the village.

DHARM (MA15+)
103 minutes
Director: Bhavna Talwar
Pandit Ram Narayan Chaturvedi (Pankaj Kapur) is a Hindu Brahmin priest who lives by his belief in the 'true Hindu way of life'. He fastidiously, almost fanatically, practices his religion, as per the ancient Hindu scriptures. His life has been following an uninterrupted pattern of rituals and prayers for the past thirty years... when a child comes into his life and shakes the very core of his beliefs.

AMI, YASIN AR AMAR MADHUBALA
(THE VOYEURS) (MA15+)
Running Time: 104 minutes
Director: Buddhadeb Dasgupta
When a young man falls in love, he cannot imagine that his innocence will turn to guilt and lead to him and his friend being chased by the police. Nor can his friend imagine that his religion is a death warrant. Neither can understand how a peccadillo involving the girl next door could become the equal of a crime of passion.

Films by Satyajit Ray

PATHER PANCHALI (MA15+) (1958)
115 minutes
Director: Satyajit Ray
A boy named Apu is born to a poor Brahmin family living in its ancestral village in Bengal, India in 1920. The father, Harihar, a poet and lay priest, earns so little money that the family can barely keep going. Harihar gets a new job at the treasury but, after six years, nothing changes, so when he has an offer of an even better job in a nearby village, he leaves. When he returns home, bearing gifts and money, he learns that his daughter Durga has died. Facing the situation head on, Harihar decides to take his family out of the village to a new life in the holy city of Benares.

JALSAGHAR (The Music Room) (MA15+) (1958)
100 minutes
Director: Satyajit Ray
Biswambhar Roy is a zamindar (landlord) and the last of his kind. With the title, he has none of the perquisites, inheriting diminishing lands that are being eroded by the neighbouring river. But he must maintain the lifestyle of his heritage. This ostentation is most apparent in the grandest room of his mansion, the music room. Here he imports the finest musicians and dancers to perform, and invites the area's most important commoners. His wife's entreaties to control spending are ignored, and the puberty party he throws for his son brings him down to the last few sacks of family jewels. Then, struck by tragedy, he locks the music room and slips into lethargy - until a final grand soiree consumes the last of his funds.

GHARE- BAIRE
(Home and the World) (MA15+) (1984)
140 minutes
Director: Satyajit Ray
When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husband’s warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought

DEVI (MA15+) (1960)
93 minutes
Satyajit Ray
In 1860 rural Bengal, Doyamoyee (Sharmila Tagore and her husband Umaprasad live with Umaprasad's family. His father, Kalikinkar Roy, is a devoted follower of the goddess Kali.
One evening, Kalikinkar has a dream that Doyamoyee is an avatar of Kali and must be worshipped as such. Soon other people too come to believe that she is an incarnation of the goddess. After hearing the news, Umprasad returns home but is unable to remedy the situation as Doyamoyee herself begins to believe that she is an avatar, a belief which soon turns to tragedy.

APUR SANSAR (MA15+) (1959)
117 minutes
Satyajit Ray
Apu is a jobless ex-student dreaming vaguely of a future as a writer. An old college friend talks him into a visit up-country to a village wedding. This changes his life, for when the bridegroom turns out to be mad, Apu's friend asks him to become the husband! After initial revulsion at the idea, Apu agrees. Apu takes his exquisite bridge, Aparna, back to Calcutta. But Aparna dies in childbirth, Apu leaves Calcutta, crazy with grief, and his son Kajal is left abandoned with his wife's parents. Only after a long period of total indifference to worldly responsibilities, does Apu become capable of returning to the world.